

In a world where we are bombarded with run of the mill disaster movies, comic book inspired films that have became repetitive and tedious since the novelty wore off a a while back, forgettable action flicks with interchangeable plots starring the same actors over and over again, mark my words when I tell you - Mad Max: Fury Road is a miracle.

The film is essentially a relentless, impossibly intense chain of action sequences, or a one long car chase if you will - it never really let's go of the tempo, the threat of capture and suspense is always present, even in the quieter, poignant character moments. What is so unique about Mad Max: Fury Road is the balance of the information - there is very little exposition here, George Miller simply shows you things and you have to deal with them. We know just enough to care about the ones being chased and fear the ones chasing them, but there is still enough of unknown to make everyone involved fascinating and enigmatic.

Another thing is that the film is so gripping you cannot take your eyes off the screen and your mind doesn't have the time to go "Hey, where is your arm?" while looking at Furiosa.

What I also loved about Fury Road is that it had R rating but it didn't really have that much violence or gory stuff. There was some nudity, some unpleasant implications and few moments of gore but it was tamer than most R rated movies. However, I felt because this film was made with R rated category intent, Miller didn't have to worry about toning anything down. In the effect the film is delightfully out of control and doesn't feel overly calculated like most movies with gore, violence or nudity feel these days, when whilst watching them you can actually sense the director's residual nervousness over what MPAA makes out of this.

Those wives (played by models Rosie Huntington-Whiteley, Courtney Eaton and Abbey Lee, Lenny's daughterZoë Kravitz and Elvis' granddaughterRiley Keough), contrasted with the wasteland of sand, dirt and violence look otherworldly. Though they are supporting characters, they are distinct and we root for each of them. Let it speak volumes that you remember more about the wives than any of the dwarfs in The Hobbit trilogy, in spite of them being on the screen for what was probably an hour instead of 3 excruciatingly long movies.

At the center of all of this is Furiosa and both the character and the wonderful Charlize Theron are a worthy successor to Sarah Connor and Ellen Ripley. Furiosa is tough, brave and fierce but she is also very human. The scene of her falling on the sand in despair is instantly iconic and Theron finally has a part worthy of her talent, for the first time since underrated Young Adult.

Theron and Hardy play off each other so well. They say so much just using their eyes - the scene where they exchange the first glances between each other is great - Max sees someone who is different than others and Furiosa sees a potential ally. Then when they meet again Furiosa treats Max as what he basically is - a wounded animal, trying to survive. She studies him carefully because she knows he can strike at any moment. She is like a tigress, protecting her cubs.

That there is no romance in the movie doesn't feel like calculated decision to make the film different. There are sparks between the main characters and in any other movie there would be a follow up to those sparks, but here, in this world who has the time for this nonsense when you are constantly fighting to survive?

The execution is so brilliant you really cannot take your eyes off the screen. The pure action is shown with such artistry and dynamics it's like watching the violent, bloody ballet of people, weapons, cars and fire. It's one of those movies where you genuinely cannot believe someone was able to make it. Shot in sequence, the film is truly a wonder.

The visuals in the movie are absolutely breathtaking and the set pieces are genuinely unique. The storm Furiosa drives in, the creepy place with the crows and the ending shots of the movie are truly a thing to witness.

Then there is the music by Junkie XL's Tom Holkenborg. It adds so much to the movie and it's just fantastic - at times heavy and electronic, at other times lyrical and grand. The track Brothers in Arms, which plays during the chase after the rig leaves the canyon and Furiosa and Max work together for the first time is one of the finest movie tracks in years.

And that's the beauty of the story - the most awe inspiring moment in this scene is not the great music, editing or action - it's the teamwork between the two main characters where they wordlessly and instinctively unite in their fight for freedom.
That is ultimately the heart of the movie and nowadays we don't get many movies with a heart, let alone movies as excellent as this one.


(2015, 120 min)
Plot: In a stark desert landscape where humanity is broken, two rebels just might be able to restore order: Max, a man of action and of few words, and Furiosa, a woman of action who is looking to make it back to her childhood homeland.
Director: George Miller
Writers: George Miller, Brendan McCarthy
Stars: Tom Hardy, Charlize Theron, Nicholas Hoult